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Guest Author Post

“Expect to Self-Rescue. No Help is Coming”

by guest contributor Allie Nava

 


“Expect to self-rescue. No help is coming.”

 

Those were the words that flashed before my eyes as I read the back and forth dialogue initiated in the chat of one of the book discussion groups to which I belong. Apparently an apparel company was using this quote to promote their products. I suspected they were selling outdoor survival products. 

 

We had such a lively discussion about the quote, which at first came across as harsh, or a bit too much of a dose of reality. As our discussion continued, it was clear to most of us that there were echoes of both practical life advice and ancient wisdom captured in that quote. To me, it reminded me of wisdom that could be found in ancient eastern and western philosophies.

 

For example, Stoic philosophy, with its roots in both Greece and Rome, espouses self-awareness, analysis, and decision-making based on rational thinking about experiences and context. The dichotomy of control (being aware of what is versus what is not in one’s control), is an important initial step in applying Stoic wisdom. It reminds learners that self-reliance and personal responsibility for whatever is in one’s control, along with responsible decision-making, can lead to a meaningful, purposeful life, leading to a greater sense of peace and happiness. It also reminds people that awareness of one’s perspective about the experiences that occur in one’s life, can influence one’s ultimate sense of peace and happiness.

 

As I dug further myself, I was reminded of other similar quotes or stories I had heard growing up, such as the famous joke story about the drowning man who believed a higher power would save him. When both people and a helicopter came to his rescue, he rejected them saying a higher power would save him, but then he died waiting. As he entered what he thought was the afterlife, he asked why he wasn’t saved, and the higher power laughed saying something akin to (I’m paraphrasing here) “but I did, I sent you people and a helicopter.” This story underscores the need to take responsibility for one’s life, and in a way “self-rescue.” 

 

In my new novel July and Everything After, I chronicle the journey of a woman who tries to shine a light on unspeakable atrocities. She attempts to take responsibility for her experiences and things she witnessed, ”self-rescue”, and the book follows her action-packed journey filled with mystery, crises, many twists and turns, and even a bit of romance.

 

So as you embark on the rest of your week, I wish you the gift of agency, “self-rescue” from the challenges in your life, and certainly a bit of mystery and romance.

 

Author Bio:  Allie Nava is the author of bestselling novel JULY AND EVERYTHING AFTER, a modern tale of resilience against extraordinary odds. You can find her online at www.allienava.com and on social media at www.instagram.com/alliestories8 or www.facebook.com/alliestories8.

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Kathie Giorgio

FIFTEEN BOOKS IN FOURTEEN YEARS 

(and counting!)

 

I’m one of those writers, the ones who know from an early age what they want to do, and then they do it. I’m told I was telling stories before I could actually write, and then once I could write, that was all I wanted to do.

I sold my first short story at the age of 15. I’d written out the story of Christ in 1970’s slang (it was 1975). With my young and limited experience, the only place I could think of to send it to was the Catholic Herald Citizen, who promptly divided it into four pieces and published it as a serial. I was thrilled!

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Over the next years, I sold many short stories and poems, but the novel remained elusive, much to my frustration. I went through a total of four agents before I gave up and decided to market my latest book myself. Not as a self-published book, but to the small presses. I never ever believed that a writer should pay to have their own work published. We’ve already done the work by writing…we should be paid for it.

 

It took me just under a year, but I placed that first novel, The Home For Wayward Clocks, in 2010 and it was released in 2011, when I was fifty years old. From my first story at fifteen to my first novel at fifty was quite the roller coaster ride. But what happened then was incredible – 14 more books, for a total of 15, in 14 years. 8 novels, 2 short story collections, 4 poetry collections, and [a] collection of essays. The years of publication: 2011, 2012, 2013, 2015, 2 in 2016, 2017, 2018, 2 in 2019, 2020, 2 in 2022, 2023…and 2024. Looking at those years, even though I experienced it, even my eyes boggle. 

So how did I do it? 

First, let’s look at the hard stuff. The internal stuff, the attitude. This is what you have to do – and feel – if you want to produce books in a timely manner.

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DETERMINATION

Never give up. Give every idea a chance. You often hear that writers have to have a thick skin, and that’s absolutely true. But I modify that. When the hard hits come – and they will – give yourself no more than 48 hours to sulk. But do give yourself the 48 hours. It’s human to feel like the world is against you, or worse, that the world might be right and you should never have taken up writing at all. But at the end of that 48 hours, get back to work. Send the poem, story, novel, memoir, essay out again. I never give up on a piece until it’s been rejected 10 times. Then I look at it again, make modifications if necessary, and send it back out.

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DISCIPLINE

Take a hard look at your schedule and figure out when you can write. Recognize that it doesn’t have to be a big block of time, but can be in pieces throughout the day. I have students who write on their lunch hours and coffee breaks. Others write while they take the bus or train back and forth to work. Some, who know they would never stick with an early morning or late night schedule, instead get up and write for a half-hour before their alarm would normally go off, and they stay up a half-hour later, thus getting in a full hour of writing every day, but not missing that much sleep. Dump the idea that you have to write for hours and hours at a time. There is time in everyone’s schedules. I’ve produced these books and stories and poems and essays all while running my studio, All Writers’ Workplace & Workshop LLC, teaching an average of 85 hours a week. I also did it while raising four kids and going to graduate school. It can be done.

 

WORK HARD!

As I work with students, I wait for the moment when they turn to me with wide eyes and say, “This is hard work!” YES! All of the representations of writers staring dreamily into space, receiving gifts from their muses, and smiling before, during, and after writing is a fallacy. Writing is hard work. Don’t expect it to come easy.

Now, let’s look at the actual timing of my books. There was a method to my madness.

By the time I sold The Home For Wayward Clocks, it had been making the rounds for three years, counting the time with two agents and then with just me. By the time I sold the book, I already had the next book, a short story collection called Enlarged Hearts, written. The Home For Wayward Clocks was in production for a year, and as soon as it came out, I turned over Enlarged Hearts to the publisher. For the year that Clocks was in production, and then the year that Hearts was in production, I was writing the next book, Learning To Tell (A Life)Time, the sequel to Clocks. So this means we have:

2011: The Home For Wayward Clocks (novel)

2012: Enlarged Hearts (short story collection)

2013: Learning To Tell (A Life)Time (novel)

But while it looks like I was writing a book a year, I wasn’t. I spent the two years leading up to the releases of Clocks and Hearts on Lifetime. Clocks actually took me 3 years to write, Hearts took 2 years, and Lifetime took 2 years. 

Then we have a passage of 2 years, from 2013 to 2015, before we have:

2015: Rise From The River (novel)

2 years to write River. When River came out, I’d just started on the next book, and I knew by then that I typically take at least 2 years to write a book. But I wanted something out sooner than that, and so I compiled many of my short stories that appeared in literary magazines, plus some “never before seen’s”. I also put together a poetry chapbook, with poems that were already written. Consequently, we then have:

2016: Oddities & Endings; The Collected Stories of Kathie Giorgio and

2016: True Light Falls In Many Forms (poetry chapbook)

Two books out in 2016, that I already had written. Which then gave me from 2015 to 2017 for:

2017: In Grace’s Time (novel)

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And again, I was working on the next novel, but knew it would be 2 years before it was done. But something weird happened, that I did not plan. At the very end of 2016, I started  writing a blog. It was the result of my being assaulted which led to a pretty deep depression. I began to write a blog called Today’s Moment Of Happiness Despite The News, in which I put down one moment a day that made me smile. 2017 was a challenging year, starting with the assault, then my husband losing his job twice, my daughter being so severely bullied, we had to move her to a new high school, and my being diagnosed with breast cancer. The blog became very popular, and at the end of the year (I’d vowed to write in it every day for a year), my followers said, “Kathie, it’s going to be a book, isn’t it?” And my publisher said, “Kathie, it’s going to be a book, isn’t it?” And so we have:

2018: Today’s Moment Of Happiness Despite The News; A Collection of Spontaneous  

          Essays

A book which was already written throughout the year before.

Now, while I’d been writing the blog, and in the year Today’s Moment was in production, I worked on yet another novel. I also put together another poetry chapbook, from poems that were already written. Which meant we then go to:

2019: If You Tame Me (novel) and

2019: When You Finally Said No (poetry chapbook)

Whew. Now again, by the time these two books came out, I was working on another novel. But I needed the usual 2 years to get it done. So while working on that novel, I compiled my poetry that had not been published in the two chapbooks and put them into a full-length collection of poems, many of which had been published in magazines. So we have:

2020: No Matter Which Way You Look, There Is More To See (poetry collection)

Which meant I had from 2020 to 2022 to put out my next novel:

2022: All Told (novel)

I also put together another poetry chapbook, made up of a collection of haiku that I wrote during the month of April a year or so before. April is National Poetry Month, and also Autism Awareness Month. My daughter is autistic. So I wrote a haiku a day during that April, celebrating my daughter. Months after All Told, but still in 2022, we have:

2022: Olivia In Five, Seven, Five; Autism In Haiku (poetry chapbook)

I had from 2021 (while All Told and then Olivia In Five, Seven, Five were in production) to 2023 to write my next novel, novel #7, book #14:

2023: Hope Always Rises (novel)

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This brings us to now, when I had the year that Hope Always Rises was in production (2022) and the year it was released (2023) to write my most recent novel, just released on 10/03/24:

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2024: Don’t Let Me Keep You (novel)

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And that’s how I published 15 books in 14 years, all with traditional presses, starting at the age of 50. I’d like to say I did it without breaking a sweat, but oh, I broke and broke and broke again.

It always pays to think outside of the box. While you’re working on your next book, what do you have already written that could be put into a collection? And also, always, always, always write the short stuff. Short stories, poems, essays, short memoir; appearing in magazines and anthologies builds up your writing resume, your reputation, and your readership. Throughout these 14 years, I was consistently publishing in magazines and anthologies. My name was always out there somewhere.

And yes, I am already working on my next novel. And another book of poetry. 16 books in 15 years? Maybe 17? We’ll see.

I hope this helps. Don’t ever give up.

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Jen Payne

How One Phone Call in 1996 Led to a Life of Self-Publishing

by Jen Payne, author, Sleeping with Ghosts

 

 

Tracey Lampley: Hello Jen. Tell us how your business started. 

 

Jen Payne: I started my business, Words by Jen, in 1993. It was a part-time effort at first, offering writing and “desktop publishing” services to a small-but-growing list of local businesses, artists, and non-profits. By 1996, I had moved my office from the second bedroom of an apartment to commercial office space and was ready to leave my job at a local print shop to dedicate my time to my own work.

 

Tracey Lampley: Were you advertising? How did people find out about you?

 

Jen Payne: Back then — pre-Google and social media— one of the best ways to market a business was to have a listing in the phone book. Phone books, for those of you who might not know, were kept in every household and included all of the landline phone numbers in your town. There was a white pages section for home phone numbers and a yellow pages section for business phone numbers and advertising.

 

In the fall of 1995, I placed a yellow page ad in a phone book that would be in every home within 20 miles of my office. 

 

Words by Jen

Business Writing • Desktop Publishing • Typesetting

(203) 483-5353

 

Tracey Lampley: Do you remember your first customer?

 

Jen Payne: The very first phone call I received was from a woman named Dale Carlson. Dale was a well-known New York City author who had moved to a shoreline town here in Connecticut and started her own, small publishing company, Bick Publishing House. 

 

We met over coffee at a local breakfast spot, and had a very long conversation about how we might work together. She was as curious about me and Words by Jen as I was about the strong force of a woman sitting across the table from me. 

 

Tracey Lampley: What do you remember about Dale Carlson?

 

Jen Payne: Dale was 60 years old when we met, with an impressive resume of writing and publishing experience. She’d written more than two dozen books at the time, was published by Atheneum Books, and had won both an ALA Notable Book Award and the Christopher Award. 

 

She had traveled all over the world, practiced yoga and meditation, was an advocate for folks with mental illness and addiction, read voraciously, and had recently become a licensed wildlife rehabilitator.

 

Tracey Lampley: And you? Who were you back then?

 

Jen Payne: I, on the other hand, was barely 30 and just starting out in my career…and my life. I must have seemed so young and naïve to her. Still, something clicked for both of us and we agreed to draw up a contract for “book design and marketing services.” 

 

From that first meeting, Dale and I went on to create more than 30 books, from her first series of wildlife rehabilitation manuals in the late 1990s to her final book OUT OF ORDER: Young Adult Manual of Mental Illness and Recovery.

 

Tracey Lampley: So, would you call yourselves innovators on the cutting edge of technology?

 

Jen Payne: Yes. We started on that journey together before independent publishing was a thing, before print-on-demand and Amazon and self-publishing. Dale had taken us out to the leading edge of this new industry, and it was an amazing ride!

 

She knew, for example, Jan Nathan — the founder of Publishers Marketing Association (PMA) which became the Independent Book Publishers Association (IBPA). Her books were edited by Ann Maurer, who had a long history of editing for well-known publishers, and our team included Jean Karl from Atheneum and award-winning artists like cover designer Greg Sammons and illustrator Carol Nicklaus.

 

Tracey Lampley: What’s most important about that era? 

 

Jen Payne: During our time together, I gathered a set of design and publishing tools that still serve me well today, including a well-worn copy of The Chicago Manual of Style that Dale gave me all those years ago. From her, I learned about book industry standards for design, how to edit and organize content professionally, what makes for a good cover design and effective back cover content, how to position a book properly for booksellers and libraries, and so much more.

 

Ask me what inspired me to write books and how I came to start my own publishing company — Three Chairs Publishing — and I will tell you about the 25+ years that Dale and I worked together: the long hours of editing around her kitchen table, selecting art and cover designs, developing a house style, and promoting her books.

 

The skills I learned from her then I apply now to my own books, and to the growing list of self-published authors I get to work with as Words by Jen. All total, I have had the privilege of shepherding well over 150 books out into the world, from Dale’s books and my own, to a long list of poetry, art, history, fiction, and non-fiction titles.

 

And to think it all started with that yellow page ad, all so many years ago! 

 

Tracey Lampley: Thank you, Jen Payne, for such an in depth interview. 

 

 

 

Photo: Jen and her mentor, Dale Carlson, at the launch of Jen’s first book, Look Up! Musings on the Nature of Mindfulness, in 2014. Sleeping with Ghosts is her fifth book under the imprint of Three Chairs Publishing.

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